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The Back Room, by Carmen Martin Gaite, Helen Lane
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Winner of Spain's National Prize for Literature
In the middle of the night, a woman awakens to find a stranger in her bedroom. Though she cannot determine who he is—or, indeed, whether he is even real at all and not just an extension of her dreams or her writing—she is drawn into a conversation with her unexpected guest. What she tells him becomes the story of a woman coming of age in the repressive Spain of the Franco era.
In The Back Room Carmen Martín Gaite spins out a hypnotic evocation of one woman's life counterpointed against the social history of modern Spain. The growth of a personal identity and the terrors of fascism are woven together within the delicate fabric of this dreamlike narrative. The result is an intimate and existential confessional—part autobiography, part fiction. In direct and simple language, Martín Gaite envisions life within a world besieged. This, her finest work, explores the back room of memory with a quiet but irresistible power.
"The winner of Spain's 1978 National Prize for Literature, Gaite's postmodern novel interweaves dreams and fantasies with autobiography and Spanish history, resulting in a book that is complex and elusive, but more than worth the effort."—Publishers Weekly
"A serious, fascinating work, indeed a great novel…leaves its readers mesmerized."—ABC Literario
"Excellently plotted and written with that perfect simplicity that tends to escape notice and which has characterized Gaite's novels from the start…She has once again made the difficult art of writing into easy reading."—El Mundo
"…intensely serious, literary and wryly humorous, [her] mesmerizing, labyrinthine sentences induce a sense of wandering the corridors and topiaried gardens of Marienbad."—Sunday Times
"Some of the cultural specifics in this 1978 novel from Spain—songs, doll furniture, movies—may be meaningful only for Spanish readers. But Martin Gaite's novel, the first in Columbia's new Twentieth Century Continental Fiction Program, is artful and engaging nonetheless, a book of intelligent moods modulating into one another."—Kirkus Reviews
Carmen Martín Gaite was one of Spain's leading novelists. She was the author of numerous works of fiction and criticism, including Variable Cloud and, most recently, The Farewell Angel. The Back Room was the first of her novels to appear in Spain after the death of Franco, and the first to be translated into English. In 1978 it was awarded Spain's National Prize for Literature.
- Sales Rank: #239525 in Books
- Brand: Brand: City Lights Publishers
- Published on: 2001-01-01
- Original language: English
- Number of items: 1
- Dimensions: 7.20" h x .60" w x 5.50" l, .56 pounds
- Binding: Paperback
- 224 pages
- Used Book in Good Condition
From Publishers Weekly
The winner of Spain's 1978 National Prize for Literature, Gaite's postmodern novel interweaves dreams and fantasies with autobiography and Spanish history, resulting in a book that is complex and elusive, but more than worth the effort. The main character, partially based on the author, narrates with an artful, mystifying self-reflectiveness that would be irritating in less sure hands but that works quite magically in this multi-layered tale. The plot is deceptively simple: the protagonist (also a writer) is awakened from sleep by a male journalist who ostensibly has come to interview her about her work. The author begins to muse about her past, but is interrupted by a phone call from the journalist's female companion, who becomes an integral part of the story. At the end the writer's grown daughter awakens her mother, but it is not clear whether the interview belonged to dream, fantasy, memory or reality. Several intriguing themes run throughout: multi-dimensional time and memory, the effects of the repressive Franco regime on the Spanish middle class, and the conscious, and more mysterious, aspects of the writing process. Gaite also provides an acute analysis of the theatrical performances at the heart of male/female relations, and a touching, honest, semi-autobiographical portrait. The language in this fine translation is sensual and lucid: the tastes, smells and customs of postwar Spain are vivid, and emotions, and ideas have a dream logic that is both evocative and precise. (June) FYI: The Back Room is the first of Gaite's novels to be translated into English.
Copyright 2000 Reed Business Information, Inc.
Review
"Carmen Gaite explores the back room of memory, a scary place sometimes, but one filled with treasures for readers who venture there." -- The St. Petersburg Times
"The Back Room serves as a superb introduction to a writer who... deserves a wide readership among those who like fiction that risks ‘a breach of habit." -- The Boston Globe
Language Notes
Text: English (translation)
Original Language: Spanish
Most helpful customer reviews
2 of 12 people found the following review helpful.
Unintelligible in any language
By SW VA
I bought the English translation, because we are studying this work in a Spanish literature class, and I found it to be very difficult going. Turns out that it wasn't the Spanish that was the problem, it was the "novel"!! It is a confusing and obscurantist navel-gazing exercise, which is, however, full of clever and witty asides, and insights into life in Franco's Spain. Why should anybody want to read a book about the writer writing a book, which is probably the very same book that s/he now holds in his or her hand? Narcissism is not a compelling trait.
5 of 10 people found the following review helpful.
Best literature you will ever read
By A Customer
If you are interested in the process of writing a book, and at the same time learn about the life in Spain during the 20th century this is your book.
0 of 0 people found the following review helpful.
An Amazing book!
By katrina
This is one of my now favorite books. It is definitely a different read and i would recommend it! Read it now!
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